b"the instruments with the most virtuosity in all of America. It has certain features similar to baroque music but with great rhythmic vitality and a rich original variety in bow strokes. Every Huasteco violinist must have a personal version of this son, if he wants to have and maintain prestige. This third movement is a totally free elaboration of the Huasteco Fandanguito, but it maintains many of its rhythmic characteristics. It demands a great virtuosity from the soloist, and it is the music that I have kept in my heart for decades.I think that for every composer it is a real challenge to compose new works from old forms, especially when this repertoire is part of the fundamental structure of classical music. On the other hand, composing in this 2020 pandemic was not easy due to the huge human suffering. Undoubtedly my experience with this work during this period has been intense and highly emotional but, I have to mention that I have preserved my seven capital principles: Tonality, modality, melody, rhythm, imaginary folk tradition, harmony, and orchestral color.Arturo MrquezInstrumentationtwo flutes and piccolo, two oboes, two clarinets, two bassoons, four horns, three trombones, tuba, timpani, percussion, harp, strings, and solo violinDuration30 minutesMarcos Fernndez (b. 1984) AmericaComposed 2017Composer's Note:Choosing an element that represents the legacy of the American continent can be a difficult task due to its rich and varied scope of music styles and influences. However, the use of the hemiola stands out for giving European composers one of the most famous traits and expressive resources in music history which enabled them to connect both"