b'Program NotescontinuedHector Berlioz(1803-1869) Harold in Italy, Op. 16Composed 1834Hector Berlioz\'s Harold in Italy is a symphony with solo viola composed in 1834. The piece was inspired by the poem "Childe Harold\'s Pilgrimage" by Lord Byron and was intended as a showcase for the virtuosity of the famous violinist Niccol Paganini, who commissioned the work after acquiring a fine Stradivarius viola. Paganini rejected the work as he felt that it lacked flair and wasnt showy enough. Not being one to waste material, Berlioz adjusted the work to his own liking, resulting in something quite different from a typical concerto.The work consists of four movements and follows the adventures of the titular hero, Harold, as he travels through the Italian countryside. The solo viola represents Harold\'s voice, and the orchestra depicts the landscape and characters that he encounters on his journey.The first movement, titled "Harold in the mountains," begins with a solo viola melody that is immediately captivating. The orchestra joins in, creating a lush and atmospheric soundscape that evokes the majesty and grandeur of the Alps. The movement is marked by dramatic shifts in tempo and mood, reflecting Harold\'s emotional journey as he confronts the beauty and danger of the mountain landscape.The second movement, "March of the pilgrims singing the evening prayer," is more restrained in character. The solo viola takes a backseat to the orchestra, which plays a simple and elegant melody that represents the peaceful and contemplative nature of the pilgrims. The movement is notable for its use of a solo English horn, which adds a mournful and melancholic tone to the melody.The third movement, "Serenade of a mountaineer from the Abruzzi to his sweetheart," is a brief interlude that features a solo viola playing a simpleand lyrical melody. The movement is notable for its delicate orchestration and tender beauty.'